In Lanx, a continuous current circulates between the body and the geometrical motifs that encircle it. Balancing on the lines, unfolding its sides, its ridges, its angles, playing with perspectives that continually renew themselves, the body sounds out its capacity to inscribe forms in a predetermined space. Transforming itself as if it were under the effect of an optical illusion, the décor starts to vibrate, to transform itself. This continuum with variable dimensions draws a relative geometry, on the level of sensations.  — Gilles Amalvi